Deep State

Deep State

Deep State
archival pigment print, 2017
24" x 28" edition of five
48" x 40" edition of three

 Deep State (detail)

Deep State (detail)

Commodity Fetish

Commodity Fetish

Commodity Fetish
archival ink and paper 2017
20” x 24”, edition of 5
48" x 40", edition of 3

 Commodity Fetish (detail)

Commodity Fetish (detail)

Potlatch

Potlatch

Potlatch
archival ink and paper,2017
20” x 24”, edition of 5
48" x 40", edition of 3

 Potlatch (detail)

Potlatch (detail)

Gross Domestic Product

Gross Domestic Product

Gross Domestic Product
archival ink and paper, 2012-2016
20” x 24”, edition of 5
48" x 40", edition of 3

 Gross Domestic Prodeuct (detail)    The   Universal Capital   series’ collages of commerce, idealism and power are alternative readings of the overview. It differentiates, warps and fractures established systems’ charts, myths and propaganda with those of multiple "underviews".  Universal Capital  re-positions the omniscience of the map within the possibilities, patterns and ruptures of time.

Gross Domestic Prodeuct (detail)

The Universal Capital series’ collages of commerce, idealism and power are alternative readings of the overview. It differentiates, warps and fractures established systems’ charts, myths and propaganda with those of multiple "underviews". Universal Capital re-positions the omniscience of the map within the possibilities, patterns and ruptures of time.

Austerity

Austerity

Austerity
archival ink and paper, 2014-2015
20” x 24”, edition of 5
48" x 40", edition of 3

 Austerity (detail)

Austerity (detail)

 Target Classes archival ink and paper, 2012-2015 20” x 24”, edition of 5 48" x 40", edition of 3

Target Classes
archival ink and paper, 2012-2015
20” x 24”, edition of 5
48" x 40", edition of 3

 Target Classes (detail)  

Target Classes (detail)
 

 Debt archival ink and paper, 2012-2016 20” x 24”, edition of 5 48" x 40", edition of 3

Debt
archival ink and paper, 2012-2016
20” x 24”, edition of 5
48" x 40", edition of 3

 Universal Capital archival ink and paper, 2012 - 2015 24" x 13 1/2" edition of 5 48" x 27", edition of 3

Universal Capital
archival ink and paper, 2012 - 2015
24" x 13 1/2" edition of 5
48" x 27", edition of 3

 Universal Capital (detail)

Universal Capital (detail)

 Warming archival ink and paper, 2014 - 2016 20” x 24”, edition of 5 48" x 40", edition of 3

Warming
archival ink and paper, 2014 - 2016
20” x 24”, edition of 5
48" x 40", edition of 3

 Warming (detail)

Warming (detail)

Impasse

Impasse

Impasse
archival ink and paper, 2012 - 2015
20” x 24”, edition of 5
48" x 40", edition of 3

 Impasse (detail)  

Impasse (detail)
 

 Family Arms archival ink and paper, 2013 20” x 24”, edition of 5 48" x 40", edition of 3

Family Arms
archival ink and paper, 2013
20” x 24”, edition of 5
48" x 40", edition of 3

Family Arms detail.jpg
 Trading House archival ink and paper, 2017 20” x 24”, edition of 5 48" x 40", edition of 3  

Trading House
archival ink and paper, 2017
20” x 24”, edition of 5
48" x 40", edition of 3
 

 Trading House (detail)

Trading House (detail)

 Half-Life Cosmos archival ink and paper, 2017 20” x 24”, edition of 5 48" x 40", edition of 3  

Half-Life Cosmos
archival ink and paper, 2017
20” x 24”, edition of 5
48" x 40", edition of 3
 

 Half-Life Cosmos (detail)

Half-Life Cosmos (detail)

Super PACs

Super PACs

Super PACs
archival ink and paper, 2012 - 2016
20” x 24”, edition of 5
48" x 40", edition of 3

 Super Pacs (detail) archival ink and paper, 2016  

Super Pacs (detail)
archival ink and paper, 2016
 

Social Democracy

Social Democracy

Social Democracy
2012-2016
24” x 14 1/2", edition of 5
48" x 29", edition of 3

 Social Democracy (detail)

Social Democracy (detail)

 Penal Colony archival pigment print, 2012 - 2016 24" x 20", edition of 5 48" x 40", edition of 3

Penal Colony
archival pigment print, 2012 - 2016
24" x 20", edition of 5
48" x 40", edition of 3

 Penal Colony (detail)

Penal Colony (detail)

 Prism Planet archival pigment print, 2012 - 2016 24" x 20", edition of 5 48" x 40", edition of 3

Prism Planet
archival pigment print, 2012 - 2016
24" x 20", edition of 5
48" x 40", edition of 3

 Prism Planet (detail)

Prism Planet (detail)

Uni Cap Didactic.jpg
Sean Smuda Blueprints

Sean Smuda Blueprints

Cleaning up Heaven with number crunching holds retirement exercises at a standstill while the ocean burns blood (Korean)

archival pigment and paper, 24" x 36", 2010

Like Daguerrotypes, the Blueprints are somewhat elusive to reproduction.

BLueprints Statement for site.jpg
Sean Smuda Blueprints

Sean Smuda Blueprints

Phosphorous signatures, fusion centers, investigative protestors: At the global market stray bullets are recycled for geometry-of-need futures where conspiracy gangsters exchange blunts against love vigils (Arabic)

archival pigment and paper,, 24" x36", 2011

   
  
 
  
    
  
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   The cooling matrix flaps its wings in all directions as the recycling city scratches the void from yard of animals biting tails (Afrikaans)     archival pigment on aluminum,  24" x36",  2010

The cooling matrix flaps its wings in all directions as the recycling city scratches the void from yard of animals biting tails (Afrikaans)

archival pigment on aluminum, 24" x36", 2010

  Rolling boulders on royalty teaches children to sing and dance in a constant loop   (Gaelic)    archival pigment on aluminum, 2 4" x36",  2010

Rolling boulders on royalty teaches children to sing and dance in a constant loop (Gaelic)

archival pigment on aluminum, 24" x36", 2010

  Sad girl, leave the frozen river and marry me, take me from the headwaters to the mouth, I am yours because no theater can hold us (Italian)    archival pigment on aluminum,  24" x36",  2010

Sad girl, leave the frozen river and marry me, take me from the headwaters to the mouth, I am yours because no theater can hold us (Italian)

archival pigment on aluminum, 24" x36", 2010

  White Man goes up fast, holds it upside down, falls hard  (Objibwe)   archival pigment on aluminum,  24" x36",  2010

White Man goes up fast, holds it upside down, falls hard (Objibwe)

archival pigment on aluminum, 24" x36", 2010

  Blink and the heart explodes, polarized to maps, that erase the past (Norwegian)    archival pigment on aluminum,  24" x36",   2009

Blink and the heart explodes, polarized to maps, that erase the past (Norwegian)

archival pigment on aluminum, 24" x36", 2009

   
  
 
  
    
  
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   Obliterated self lets in control and fame, as it falls, the world blurs at the edges, until it meets itself again (Japanese)    archival pigment on aluminum,  24" x36",  2009

Obliterated self lets in control and fame, as it falls, the world blurs at the edges, until it meets itself again (Japanese)

archival pigment on aluminum, 24" x36", 2009

   
  
 
  
    
  
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   Images fade and lose meaning, only camera movement holds interest, in the center of the storm (Polish)     archival pigment on aluminum,  24" x36",  2008

Images fade and lose meaning, only camera movement holds interest, in the center of the storm (Polish)

archival pigment on aluminum, 24" x36", 2008

   
  
 
  
    
  
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   There is a body in the ground, oppressing the oppressors, slowly rising everywhere, laughing in a crib (Russian)    archival pigment on aluminum,  24" x36",  2008

There is a body in the ground, oppressing the oppressors, slowly rising everywhere, laughing in a crib (Russian)

archival pigment on aluminum, 24" x36", 2008

   
  
 
  
    
  
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   Recycling words buys time, to open cages for ghosts, to walk the river beside us (Hmong)    archival pigment on aluminum,  24" x36",  2008

Recycling words buys time, to open cages for ghosts, to walk the river beside us (Hmong)

archival pigment on aluminum, 24" x36", 2008

   
  
 
  
    
  
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   My car, your car, my identity, your identity, in New York, London, Paris, Mexico City, Tokyo Evolution, no more! and more, no more, and more… (Spanish)    archival pigment on aluminum,  24" x36",  2008

My car, your car, my identity, your identity, in New York, London, Paris, Mexico City, Tokyo Evolution, no more! and more, no more, and more… (Spanish)

archival pigment on aluminum, 24" x36", 2008

   
  
 
  
    
  
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   Throw your head at the sun, to fertilize the graveyard garden, in the city where you stand (German)     
  
 
  
    
  
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   archival pigment on aluminum,  24" x36",  2008

Throw your head at the sun, to fertilize the graveyard garden, in the city where you stand (German)

archival pigment on aluminum, 24" x36", 2008

   
  
 
  
    
  
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   Sky bivouac, hubris tour, drop ceiling (English)    archival pigment on aluminum,  24" x36",  2007

Sky bivouac, hubris tour, drop ceiling (English)

archival pigment on aluminum, 24" x36", 2007

  I inflated my friends with helium filled peanut butter cookies to see the world (French)    
  
 
  
     
  
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      archival pigment on aluminum,  24" x36",  2007

I inflated my friends with helium filled peanut butter cookies to see the world (French)

archival pigment on aluminum, 24" x36", 2007

   
  
 
  
    
  
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   Butterfly wheel, soaring heart, no pollution (Chinese)    
  
 
  
     
  
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      archival pigment on aluminum,  24" x36",  2007

Butterfly wheel, soaring heart, no pollution (Chinese)

archival pigment on aluminum, 24" x36", 2007

 portfolio, archival pigment on aluminum, 13" x 19", edition of twenty, 2011

portfolio, archival pigment on aluminum, 13" x 19", edition of twenty, 2011

 portfolio, archival pigment on aluminum, 13" x 19", edition of twenty, 2011

portfolio, archival pigment on aluminum, 13" x 19", edition of twenty, 2011

 portfolio, archival pigment on aluminum, 13" x 19", 2011

portfolio, archival pigment on aluminum, 13" x 19", 2011

 portfolio, archival pigment on aluminum, 13" x 19", 2011

portfolio, archival pigment on aluminum, 13" x 19", 2011

 portfolio, archival pigment on aluminum, 13" x 19", 2011

portfolio, archival pigment on aluminum, 13" x 19", 2011

 Blown Derivatives, 2009 Seth Dauphin installs Blown Derivatives outside of McMurdo Base, Antarctica

Blown Derivatives, 2009
Seth Dauphin installs Blown Derivatives outside of McMurdo Base, Antarctica

 Blown Derivatives outside of McMurdo Base, Antarctica, 2009

Blown Derivatives outside of McMurdo Base, Antarctica, 2009

 Blown Derivatives outside of McMurdo Base, Antarctica, 2009

Blown Derivatives outside of McMurdo Base, Antarctica, 2009

 Blown Derivatives outside of McMurdo Base, Antarctica, 2009

Blown Derivatives outside of McMurdo Base, Antarctica, 2009

 Participating artists L to R: Sean Smuda, Daniel Kaniess, Janet Lobberecht, James Gladman, Abraham Renko 

Participating artists L to R:
Sean Smuda, Daniel Kaniess, Janet Lobberecht, James Gladman, Abraham Renko 

Blown Derivative 960 Statement.jpg
 James Gladman, Blown Derivative for Antarctica mixed media, 8 1/2" x 11", 2009

James Gladman, Blown Derivative for Antarctica
mixed media, 8 1/2" x 11", 2009

 Daniel Kaniess, Blown Derivative for Antarctica mixed media, 8 1/2" x 11", 2009

Daniel Kaniess, Blown Derivative for Antarctica
mixed media, 8 1/2" x 11", 2009

 Janet Lobberecht, Blown Derivative for Antarctica 11" x 17", embroidery, 2009

Janet Lobberecht, Blown Derivative for Antarctica
11" x 17", embroidery, 2009

 Abraham Renko, Blown Derivative for Antarctica mixed media, 8 1/2" x 11", 2009   

Abraham Renko, Blown Derivative for Antarctica
mixed media, 8 1/2" x 11", 2009

 

 Sean Smuda, Blown Derivative for Antarctica mixed media, 8 1/2" x 11", 2009   

Sean Smuda, Blown Derivative for Antarctica
mixed media, 8 1/2" x 11", 2009

 

BD Statement 960.jpg
 Anna-Marie Shögren installs Blown Derivatives in Skagaströnd, Iceland, 2010

Anna-Marie Shögren installs Blown Derivatives in Skagaströnd, Iceland, 2010

 Blown Derivatives Skagaströnd, Iceland, 2010

Blown Derivatives
Skagaströnd, Iceland, 2010

 Blown Derivatives Skagaströnd, Iceland, 2010

Blown Derivatives
Skagaströnd, Iceland, 2010

Skagastrond Statement 960.jpg
 James Gladman, Blown Derivative for Iceland injket on paper, 8 1/2" x 11", 2010

James Gladman, Blown Derivative for Iceland
injket on paper, 8 1/2" x 11", 2010

 James Gladman, Blown Derivative for Iceland (two sided) injket on paper, 8 1/2" x 11", 2010

James Gladman, Blown Derivative for Iceland (two sided)
injket on paper, 8 1/2" x 11", 2010

 Daniel Kaniess, Blown Derivative for Iceland mixed media, 8 1/2" x 11", 2010

Daniel Kaniess, Blown Derivative for Iceland
mixed media, 8 1/2" x 11", 2010

 Janet Lobberecht, Blown Derivative for Iceland embrodery, 8 1/2" x 11", 2010

Janet Lobberecht, Blown Derivative for Iceland
embrodery, 8 1/2" x 11", 2010

 Abraham Renko, Blown Derivative for Iceland (the Tinkerbell effect) mixed media, 8 1/2" x 17", 2010

Abraham Renko, Blown Derivative for Iceland (the Tinkerbell effect)
mixed media, 8 1/2" x 17", 2010

 Sean Smuda, Blown Derivative for Iceland mixed media, 8 1/2" x 11", 2010

Sean Smuda, Blown Derivative for Iceland
mixed media, 8 1/2" x 11", 2010

 Blown Derivatives at mouth of Yangtze River, China photograph by Ping Wang, 2010

Blown Derivatives at mouth of Yangtze River, China
photograph by Ping Wang, 2010

 Blown Derivatives at mouth of Yangtze River, China photograph by Ping Wang, 2010

Blown Derivatives at mouth of Yangtze River, China
photograph by Ping Wang, 2010

 Blown Derivatives at mouth of Yangtze River, China photograph by Ping Wang, 2010

Blown Derivatives at mouth of Yangtze River, China
photograph by Ping Wang, 2010

 Margaret Coughlin, Blown Derivative for TIbet mixed media, 8 1/2" x 11", 2010

Margaret Coughlin, Blown Derivative for TIbet
mixed media, 8 1/2" x 11", 2010

 Jonathan Field, Blown Derivative for Tibet plastic, 8 1/2" x 11", 2010   

Jonathan Field, Blown Derivative for Tibet
plastic, 8 1/2" x 11", 2010

 

 James Gladman, Blown Derivative for China and TIbet inkjet on canvas, 11" x 10", 2010   

James Gladman, Blown Derivative for China and TIbet
inkjet on canvas, 11" x 10", 2010

 

 Daniel Kaniess, Blown Derivative for China and Tibet mixed media, 8 1/2" x 11", 2010

Daniel Kaniess, Blown Derivative for China and Tibet
mixed media, 8 1/2" x 11", 2010

 Abraham Renko, Blown Derivative for China and TIbet cloth, 7" x 14", 2010

Abraham Renko, Blown Derivative for China and TIbet
cloth, 7" x 14", 2010

 Sean Smuda, Blown Derivative for China and Tibet mixed media on silk, 8 1/2" x 11", 2010

Sean Smuda, Blown Derivative for China and Tibet
mixed media on silk, 8 1/2" x 11", 2010

 Ping Wang, Blown Derivative for China and Tibet inkjet print on silk, 11" x 14", 2010

Ping Wang, Blown Derivative for China and Tibet
inkjet print on silk, 11" x 14", 2010

Yangtze statement.jpg
 Blown Derivatives on Sela Mountain, TIbet photograph by Ping Wang, 2010

Blown Derivatives on Sela Mountain, TIbet
photograph by Ping Wang, 2010

 Blown Derivatives on Sela Mountain, TIbet photograph by Ping Wang, 2010

Blown Derivatives on Sela Mountain, TIbet
photograph by Ping Wang, 2010

 Blown Derivatives on Sela Mountain, TIbet photograph by Ping Wang, 2010

Blown Derivatives on Sela Mountain, TIbet
photograph by Ping Wang, 2010

 Fatin Al Jumaily displays Blown Derivatives in Karbala, Iraq photograph by Luke Wilcox of the Iraqi American Reconciliation Project, 2011

Fatin Al Jumaily displays Blown Derivatives in Karbala, Iraq
photograph by Luke Wilcox of the Iraqi American Reconciliation Project, 2011

 Blown Derivatives in Karbala, Iraq photograph by Fatin Al Jumaily, 2011

Blown Derivatives in Karbala, Iraq
photograph by Fatin Al Jumaily, 2011

 Blown Derivatives in Karbala, Iraq photograph by Fatin Al Jumaily, 2011

Blown Derivatives in Karbala, Iraq
photograph by Fatin Al Jumaily, 2011

 Blown Derivatives in Karbala, Iraq photograph by Fatin Al Jumaily, 2011

Blown Derivatives in Karbala, Iraq
photograph by Fatin Al Jumaily, 2011

 Blown Derivatives in Karbala, Iraq photograph by Fatin Al Jumaily, 2011

Blown Derivatives in Karbala, Iraq
photograph by Fatin Al Jumaily, 2011

 Blown Derivatives in Karbala, Iraq photograph by Luke Wilcox, 2011

Blown Derivatives in Karbala, Iraq
photograph by Luke Wilcox, 2011

Iraq statement.jpg
 Jame Gladman, Blown Derivative for Iraq mixed media, 8 1/2" x 11", 2011

Jame Gladman, Blown Derivative for Iraq
mixed media, 8 1/2" x 11", 2011

 Jame Gladman, Blown Derivative for Iraq mixed media, 8 1/2" x 11", 2011

Jame Gladman, Blown Derivative for Iraq
mixed media, 8 1/2" x 11", 2011

 Daniel Kaniess, Blown Derivative for Iraq mixed media, 8 1/2" x 11", 2011

Daniel Kaniess, Blown Derivative for Iraq
mixed media, 8 1/2" x 11", 2011

 Janet Lobberecht, Blown Derivative for Iraq mixed media, 81/2" x 11", 2011

Janet Lobberecht, Blown Derivative for Iraq
mixed media, 81/2" x 11", 2011

 Sean Smuda, Blown Derivative for Iraq mixed media, 8 1/2" x 11", 2011

Sean Smuda, Blown Derivative for Iraq
mixed media, 8 1/2" x 11", 2011

 Ping Wang, Blown Derivative for Iraq inkjet on silk, 11" x 16", 2011

Ping Wang, Blown Derivative for Iraq
inkjet on silk, 11" x 16", 2011

 Blown Derivatives, Pakistan macquette, 2012 sent but never displayed due to security risks

Blown Derivatives, Pakistan macquette, 2012
sent but never displayed due to security risks

 Sanjin Cosabic, Blown Derivative for Pakistan inkjet on canvas, 11" x 14", 2012

Sanjin Cosabic, Blown Derivative for Pakistan
inkjet on canvas, 11" x 14", 2012

 Daniel Kaniess, Blown Derivative for Pakistan mixed media, 11" x 14", 2012

Daniel Kaniess, Blown Derivative for Pakistan
mixed media, 11" x 14", 2012

 Daniel Kaniess, Blown Derivative for Pakistan mixed media, 11" x 14", 2012

Daniel Kaniess, Blown Derivative for Pakistan
mixed media, 11" x 14", 2012

 Abraham Renko, Blown Derivative for Pakistan cloth, ink, 8 1/2"x 11", 2012

Abraham Renko, Blown Derivative for Pakistan
cloth, ink, 8 1/2"x 11", 2012

 Sean Smuda, Blown Derivative for Pakistan mixed media on silk, 8 1/2" x 11", 2012

Sean Smuda, Blown Derivative for Pakistan
mixed media on silk, 8 1/2" x 11", 2012

 Blown Derivatives Fastnet Rock installation, 2014 mixed media, dimensions variable

Blown Derivatives
Fastnet Rock installation, 2014
mixed media, dimensions variable

 Fastnet Rock Installation at the  Soap Factor  y  ,  2014 mixed media, dimensions variable

Fastnet Rock
Installation at the Soap Factory, 2014
mixed media, dimensions variable

 Hunting Party  archival pigment print from 4x5 negative, 24" x 30", 2009

Hunting Party

archival pigment print from 4x5 negative, 24" x 30", 2009

01.jpg
 Resurrection  archival pigment print from 4x5 negative, 30" x 24", 2008

Resurrection

archival pigment print from 4x5 negative, 30" x 24", 2008

 Governance  archival pigment print from 4x5 negative, 30" x 24", 2007

Governance

archival pigment print from 4x5 negative, 30" x 24", 2007

 Seeding  archival pigment print from 4x5 negative, 24" x 30", 2006

Seeding

archival pigment print from 4x5 negative, 24" x 30", 2006

 Immaculate Conception  archival pigment print from 4x5 negative, 24" x 30", 2006

Immaculate Conception

archival pigment print from 4x5 negative, 24" x 30", 2006

 Oasis  archival pigment print from 4x5 negative, 24" x 30", 2006

Oasis

archival pigment print from 4x5 negative, 24" x 30", 2006

 Initiation  archival pigment print from 4x5 negative, 24" x 30", 2005

Initiation

archival pigment print from 4x5 negative, 24" x 30", 2005

 Premonition  archival pigment print from 4x5 negative, 24" x 24", 2005

Premonition

archival pigment print from 4x5 negative, 24" x 24", 2005

 Faith  archival pigment print from 4x5 negative, 24" x 24", 2005

Faith

archival pigment print from 4x5 negative, 24" x 24", 2005

 The Invention of Photography  archival pigment print from 4x5 negative, 24" x 30", 2004

The Invention of Photography

archival pigment print from 4x5 negative, 24" x 30", 2004

 Bomb Reform  archival pigment print from 4x5 negative, 40" x 20", 2004

Bomb Reform

archival pigment print from 4x5 negative, 40" x 20", 2004

 Tree of Life  archival pigment print from 4x5 negative, 30" x 24", 2004

Tree of Life

archival pigment print from 4x5 negative, 30" x 24", 2004

 Conspiracy  archival pigment print from 4x5 negative, 24" x 30", 2004

Conspiracy

archival pigment print from 4x5 negative, 24" x 30", 2004

 Possession of One's Proper Body  archival pigment print from 4x5 negative, 26" x 24", 2004

Possession of One's Proper Body

archival pigment print from 4x5 negative, 26" x 24", 2004

 The Scrape  archival pigment print from 4x5 negative, 30" x 24", 2004

The Scrape

archival pigment print from 4x5 negative, 30" x 24", 2004

 Moment of the Day  archival pigment print from 4x5 negative, 24" x 30", 2004

Moment of the Day

archival pigment print from 4x5 negative, 24" x 30", 2004

1DFOREST.jpg
1BDESCEN.jpg
1AWHIRLP.jpg
Sarah.jpg
1ETUNNEL.jpg
1F_WING.jpg
Dance.jpg
1JVORTIC.jpg
1I_GUT.jpg
1G_SNAKE.jpg
Untitled-4.jpg
1HEELPYR.jpg
Clock.jpg
1KFACTRY.jpg
1LLARYNX.jpg
1MCEREBE.jpg
1NBEAUID.jpg
1O_KETER.jpg
1P_ROOT.jpg
2GZOEOPT.jpg
GvtCenter.jpg
1QCABALA.jpg
1R11PM14.jpg
Industrial title.jpg

Potlatch

Potlatch was performed on Presidents Day 2017 as part of Holly Hughes' nation wide event Not My Presidents Day via the Minneapolis chapter This Machine.

Super PACs

Super PACs (excerpt)
HD Video, 6'55", 2016

Universal Capital

Universal Capital
HD video, 3'44"
11.9.2015
public performance, NY, NY
performer: Sean Smuda

Gross Domestic Product

Gross Domestic Product
HD Video, 15"
5.16.2015
Instinct Gallery/Public Performance
Mpls, MN
performers: John Hauser, Megan Mayer, Sarah and Jesse Petersen, Sean Smuda, John Vance

Debt

Debt
HD video, 16'12"
SOO Visual Arts Center, Monday LIve Arts
Mpls, MN
10.5.2015
performer: Sean Smuda

Austerity

Austerity
HD Video, 7'
3.10.2015
Cowles Center, Future Interstates series
Mpls, MN
performer: Sean Smuda

Target Classes

Target Classes
HD Video, 5'
10.30.2014
TuckUnder Projects
Mpls, MN
performer: Sean Smuda
participants: Aki Shiabata, Nate Young, Sheila Dickinson, Nick Vlcek

Commodity Fetish

Commodity Fetish
HD Video, 12'36"
2.3.2014
Ritz Theater, Monday Live Arts
Mpls, MN
performer: Sean Smuda

Warming

Warming (excerpt)
HD video, 3'44", 2016
performer: Sean Smuda

Uni Cap Didactic.jpg